Sadie Harrison is a composer and performer known particularly for the socio-political aspects of music-making with several works challenging stereotypes of marginalised peoples – refugees, Afghan women, the deaf, the homeless – celebrating their creativity and individuality with powerful expressions of musical solidarity. For several years, Sadie also pursued a secondary career as an archaeologist. Reflecting her interest in the past, many of her compositions have been inspired by the traditional musics of old and extant cultures with cycles of pieces based on the folk music of Afghanistan, Lithuania, the Isle of Skye, the Northern Caucasus and the UK.

She has been Composer-in-Residence with Cuatro Puntos (USA), Kunstler Bei Wu Sculpturepark (Germany), and Composer-in-Association with the Afghanistan National Institute of Music. Her symphonic work Sapida-Dam-Nau for the Afghanistan Women’s Orchestra (Ensemble Zohra) was premiered at the Closing Concert of the World Economic Forum, Davos in January 2017 with subsequent performances in Geneva, Weimar and Berlin. Sadie was appointed as Visiting Fellow to Goldsmiths College, London in recognition of her unique compositional research work on Afghanistan. Sadie’s music is published by UYMP with works on ABRSM and Trinity examination board repertoire lists and has been released to critical acclaim on Naxos, Prima Facie, NMC, Cadenza, Sargasso, Toccata Classics, BML, Divine Art/Metier, and Clarinet Classics, with works featuring in several international films and documentaries.